Iris Law brought a playful touch of pink to the preparations for the 2026 Victoria’s Secret Fashion Show, stepping backstage in a matching lingerie set and the brand’s signature pink-and-white striped robe as she prepared to return to one of fashion’s most recognisable runways. The 25-year-old model, the daughter of actor Jude Law and British actress and fashion designer Sadie Frost, joined fellow models at Sony Pictures Studios in Los Angeles on Sunday, 18 October, ahead of the highly anticipated event.
Her appearance marked another step in a modelling career that has increasingly placed her at the intersection of high-profile fashion campaigns, runway appearances and creative projects beyond the catwalk. While her famous family name has long attracted public attention, Iris has continued to build a professional identity through collaborations with international fashion brands and an expanding interest in acting.
According to HELLO! Magazine, which reported on her preparations for the show, Iris wore a pink bra and matching briefs beneath a coordinating striped robe. The look offered a glimpse of the atmosphere backstage, where models were preparing for the event while managing the excitement and nerves that accompany a major runway appearance.
Despite having already walked for Victoria’s Secret, Iris acknowledged that the experience could still be nerve-racking. Her comments reflected the mixture of anticipation and camaraderie that often characterises the hours leading up to a major fashion show.
Iris Law returns to the Victoria’s Secret runway
Iris’s appearance at the 2026 Victoria’s Secret Fashion Show followed her debut for the lingerie brand in October 2025. That first outing introduced her to the brand’s audience through a look that departed from the traditional glamorous lingerie aesthetic, instead embracing the youthful, sports-inspired styling associated with the company’s PINK line.
For her debut, Iris wore a cropped black slogan T-shirt, boyshorts, striped socks and a pom-pom beanie. The outfit combined elements of casual streetwear and playful styling, creating a distinctly different impression from the more elaborate lingerie looks frequently associated with the Victoria’s Secret runway.
The contrast between her first appearance and this year’s pink ensemble highlights the range of visual identities the brand uses across its collections. Its fashion shows bring together lingerie, styling, entertainment and individual model personalities, allowing participants to appear in looks that vary considerably in tone and presentation.
For Iris, returning to the event also meant entering a familiar environment. Reflecting on the experience, she recalled feeling particularly nervous during the preparations for her debut.
“I was so nervous yesterday… You know when you’re so nervous that you get, like, sleepy in the rehearsal…? But now I feel great,” she said.
She also described the supportive atmosphere among the models, explaining that she already knew several of the women taking part.
“I know a lot of the girls, and everyone was just being super nice and talking about how they feel and everyone’s nervous, but everyone’s excited, so it was just really fun.”
Her remarks, reported by HELLO! Magazine, offered a personal perspective on the preparations, moving beyond the finished runway images to acknowledge the uncertainty and anticipation that can precede a major public performance.
The 2026 show took place in Los Angeles, with the line-up featuring established Victoria’s Secret names including Gigi Hadid, Adriana Lima and Candice Swanepoel. The entertainment programme was also set to feature performances by Tate McRae, Megan Thee Stallion, Megan Moroney and Katseye.
The combination of established runway figures, newer fashion personalities and musical performers reflected the event’s wider entertainment format. For models such as Iris, the show provides an opportunity to participate in a major fashion production while reaching audiences beyond the usual circles of fashion weeks and editorial campaigns.
A familiar surname, but a career of her own
As the daughter of Jude Law and Sadie Frost, Iris grew up connected to the worlds of film, fashion and popular culture. Jude Law is internationally recognised for his acting career, while Sadie Frost has worked across acting, fashion and design.
That family background has naturally made Iris a subject of public interest. Yet her own career has developed across several areas, including modelling for established fashion labels, appearing in campaigns and exploring acting.
The fashion industry has long featured the children of actors, musicians and other public figures, with some pursuing careers that combine their inherited visibility with professional work of their own. In Iris’s case, modelling has provided a platform for collaborations that place her within contemporary fashion imagery, while acting has offered a separate creative outlet.
Her Victoria’s Secret appearance is one part of that broader professional picture. Although runway shows can create immediate attention through photographs and social media coverage, the longer-term development of a modelling career also depends on editorial work, advertising campaigns and relationships with fashion houses.
Iris’s recent projects suggest that she has continued to work across these different settings rather than limiting her public profile to a single brand or event.
Iris Law reconsiders her relationship with social media
Away from the runway, Iris has also been reflecting on the pressures associated with maintaining a public-facing identity online.
In a cover profile published by Who What Wear on 14 October 2026, she discussed the way social media had influenced her perception of herself and her relationships with people in her everyday life.
“None of my close, close friends who I speak to daily are on social media,” she told the publication. “So it alienated me in that way. I [realized I was] caring about things that the people around me don’t really care about.”
Her comments highlighted a tension familiar to people whose work depends, at least partly, on public visibility. For models and other fashion professionals, online platforms can be important tools for presenting work, communicating with audiences and maintaining industry relevance. At the same time, the expectation to continually share personal experiences can make it difficult to separate professional visibility from private life.
Iris described feeling concerned that people were not seeing the full range of her personality through the material she chose to post.
“I started getting this panic where I was like, ‘People don’t understand me.’ What I choose to post is fun and playful because that’s how I chose to post, and I’ve been posting since I was young,” she said.
She added that trying to demonstrate every dimension of her life had become tiring.
“It’s very tiring to show that you study and you read and you also have fun and you also like snacks,” she explained. “I don’t want to put hours and hours of work into my phone to show every part of myself.”
The comments offer insight into how a model with a visible public profile approaches the boundaries between personal expression and online presentation. They also underline a broader challenge for people working in image-driven industries: social media can help establish a recognisable identity, but the version of a person presented online is necessarily selective.
Iris’s remarks do not mean that she is abandoning social media. Rather, her stated concern centres on the effort involved in showing every aspect of her life and the distance that can emerge between online expectations and the interests of people in her immediate circle.
For a fashion personality whose professional work frequently involves photographs and carefully constructed visual narratives, that distinction is particularly relevant. The images used in a campaign or runway show serve a specific purpose, but they do not necessarily represent every part of the person wearing the clothes.
From the runway to the screen
Modelling is not Iris’s only professional pursuit. She has also explored acting, appearing in the television miniseries Pistol alongside her fashion work.
The project forms part of a broader résumé that extends beyond fashion campaigns and runway appearances. While modelling places significant emphasis on visual presentation, acting requires a different set of creative skills, including interpreting characters and working within a scripted production.
Maintaining interests in both fields gives Iris opportunities to engage with different aspects of the entertainment industry. Fashion and screen work can overlap through publicity and visual storytelling, but they also involve distinct professional environments.
Her appearance in Pistol demonstrates that acting is already part of her experience rather than simply a future ambition. However, her recent public activity continues to include substantial fashion commitments, suggesting that modelling remains a central element of her professional life.
The relationship between these pursuits may evolve as new opportunities arise, but her current work illustrates a career that is not confined to a single runway or campaign.
Iris Law and Amelia Gray join forces for DKNY
Another recent highlight came in September, when Iris appeared alongside fellow model Amelia Gray in DKNY’s autumn 2026 campaign.
Photographed by Mikael Jansson across New York, the campaign brought the two models together in coordinated outfits while retaining room for their individual styles and personalities. Its visual direction included pinstriped minidresses, animal-print faux-fur coats, tailored separates and relaxed sportswear.
The collection’s largely monochrome palette presented a different fashion mood from the pink lingerie Iris wore for Victoria’s Secret. Where her runway preparations leaned into colour and a playful presentation, the DKNY campaign focused on a combination of urban styling, tailoring and contemporary sportswear.
Iris discussed the collaboration in the brand’s announcement, saying: “I was excited to team up with Amelia on the DKNY Fall ’26 campaign.”
Working alongside another established young model also placed the campaign within the collaborative nature of fashion advertising. Campaigns frequently rely on the interaction between clothing, location, photography and the people selected to represent a collection. In this instance, the New York setting and coordinated styling helped establish the visual identity of the autumn range.
For Iris, the project added another major fashion label to her recent professional activity. It also demonstrated the variety of settings in which she has appeared, from a lingerie runway to a city-based designer campaign.
Although the Victoria’s Secret show and DKNY campaign have different audiences and aesthetics, both rely on the ability of models to communicate a brand’s intended look through photographs and presentation.
A busy weekend in Los Angeles
Iris’s return to Victoria’s Secret came at the end of an eventful weekend in California. On the previous evening, she attended the sixth annual Academy Museum Gala in Los Angeles, joining guests from across the film industry for an event celebrating cinema and its creative community.
The back-to-back appearances placed her in two prominent entertainment settings within a short period: a gala associated with the film world and a major fashion production.
Such events also illustrate the overlap between fashion and entertainment, where models, actors, designers and musicians frequently encounter one another through premieres, galas, campaigns and runway presentations. For figures who work across more than one creative field, these occasions can form a regular part of professional life.
The Academy Museum Gala also connected with Iris’s own experience in acting, while the Victoria’s Secret appearance reflected her continuing work in fashion. Neither event defines the entirety of her career, but together they demonstrate the range of public settings in which she is active.
What Iris Law’s latest appearance says about her fashion trajectory
Iris’s pink backstage look was a memorable part of her return to the Victoria’s Secret Fashion Show, but the wider context of her recent work provides a more complete picture of her current career.
Since her runway debut in 2025, she has continued to participate in high-profile fashion projects, including the DKNY autumn 2026 campaign, while maintaining an interest in acting. Her recent interview with Who What Wear also showed a willingness to discuss the less visible aspects of working in an industry where appearance and public presentation can carry considerable weight.
Her comments about social media are particularly notable because they address the difference between being visible and feeling fully understood. For someone whose professional life involves modelling for cameras, the ability to decide what remains private can be an important consideration.
That does not establish a new direction for her career, nor does it confirm that she plans to reduce her fashion commitments. It does, however, provide context for the way she has spoken about balancing her public image with her life away from the screen.
For now, Iris continues to move between runway appearances, fashion campaigns and acting projects. Her return to Victoria’s Secret places her once again within one of the industry’s best-known fashion events, while her work with DKNY and her reflections on online visibility show other dimensions of her professional and personal outlook.
The pink lingerie and striped robe offered the immediate visual moment, but her wider body of work tells a more expansive story: one of a young model continuing to develop her place in fashion while exploring how much of herself she wants the public to see.
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Source: Owink
